The Signal

Serving the College since 1885

Saturday June 3rd

Arts & Entertainment

(Photo courtesy of IMDb)

‘The Northman’ Review: A gruesome Viking revenge tale

“The Northman,” directed by Robert Eggers, takes place in 10th-century Iceland where a young prince named Amleth vows to avenge his father if he dies in war. When his father is killed in an act to overthrow his kingdom, Amleth makes it his sole purpose to avenge his father and take retribution on the man who killed him. 

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(Photo courtesy of Netflix)

‘Honeymoon with My Mother’: Bonding on a tropical island

Seconds before José Luis (Quim Gutiérrez) can officially marry a young woman named Teresa (Celia Freijeiro), the supposed love of his life, she dumps him at the altar and leaves with another man. Luis, understandably, is devastated. However, his inability to cancel the upcoming honeymoon leaves him with a rare opportunity to grieve and process this betrayal on a beautiful tropical island renowned for its pristine beaches. There was just one catch: his mom, Mari Carmen (Carmen Machi), is determined to go with him. Having never seen the world as a young woman, she jumps at the chance to travel and get pampered. This trip, however, also allows her to look out for her heartbroken son. 

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Featured are von Trier’s most recent films, “Nymphomaniac” (2013) and “The House that Jack Built” (2018) (Photos courtesy of Imdb).

Director’s Cut: Lars von Trier

Lars von Trier is a Danish film director and screenwriter whose career has spanned across over four decades. His most notable work includes “Dogville” (2003), “Antichrist” (2008), “Melancholia” (2011), and “Nymphomaniac” (2013) to name only a few. No stranger to controversy, von Trier has pushed the boundaries of screen to new levels, never failing to shock the film community as a whole. 

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(Photo courtesy of IMDb)

‘Dual’ is a dry but witty satire on loss, mortality

“Dual,” which is directed by Riley Stearns, takes us into a modern sci-fi world where, upon terminal illness, patients have the ability to clone themselves to save loved ones from the mourning process. When faced with an incurable fatal illness, Sarah (Karen Gillan) decides to go through this process and clone herself. After miraculously overcoming the illness, Sarah now faces the moral and physical battle of legally having to fight her clone to the death. 

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(Photo courtesy of Julia Duggan)

Student teaching stresses music education majors

For a place known for music echoing in the hallways, the silence in the music building is eerie. While the underclassmen are in the building, they are in lectures so they cannot practice any music. Normally, the upperclassmen can be found in practice rooms in the basement, practicing in the morning, but that is not happening this semester.

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Students practice for their Live Out Loud performance (photo courtesy of Aaron Watson).

Lyric Theatre makes its New York debut: “Live Out Loud: Andrew Lippa”

Lyric Theatre made its New York City debut at the Laurie Beechman Theatre on April 8 with its performance: “Live out Loud: the Music of Andrew Lippa.” The show featured a variety of songs from Andre Lippa’s iconic discography, including selections from “The Wild Party,” “Big Fish, “You’re a Good Man Charlie Brown” and other projects he worked on.  

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(photo courtesy of IMDB)

‘Hard Cell’ features Catherine Tate playing six roles

“Hard Cell,” Netflix’s new six-part mockumentary about life in a women’s prison, was released on April 12. In addition to being the creator, co-writer and director of the show, Catherine Tate plays six different characters in the first season alone, including Laura, the prison’s governor, a wise-cracking guard named Marco, three separate inmates and a bitter mother who despises her incarcerated daughter. 

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(Photo courtesy of Rachel Castria)

Journalist-turned-filmmaker Jennifer Lin visits campus

Jennifer Lin, co-director of “Beethoven in Beijing,” came to the College on April 13 in the Library Auditorium to talk about the documentary she directed, produced and wrote. Before Lin co-directed the well-researched “Beethoven in Beijing,” she worked as a financial correspondent on Wall Street, a foreign correspondent in China for the The Philadelphia Inquirer and a national correspondent in Washington D.C. 

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